Here's what I heard: Geoff (RealPickle) can be ideal that the strings are a tad at the rear of... but that doesn't bother me that A great deal. What does bother me would be the seem of the strings. They're a bit to the synth-y side of issues, significantly the legato lines that are available in Together with the melody. The staccatos are all right - they just sound a little bit dated, but this sort of audio has existed for quite a while and I can kinda inform myself that It really is par for that class. But when the arrangement gets a lot more thorough (the string arrangement I indicate), then it begins to seem a bit as well... retro.. A few suggestions: if you can mix and match string libraries as this can make the audio a tad additional believable if carried out effectively.
I interpreted "the end" pretty much to indicate the last few bars but so far two individuals have said they don't love the drums in your entire last portion. If that is genuinely the exactly what the screener meant then I can settle for that and go forward. And In any case It truly is clearly a dilemma space considering that 2 people have pointed it out.
Nonetheless, if you only use sample libraries and soft synths and so forth then its all about figuring out how to find the greatest from them, and naturally arranging, effectiveness, mixing and mastering. Concerning Professional sounding recordings the DAW is rarely the stumbling block.
What I failed to rely on was me fully slipping in enjoy with it and Definitely loving to perform audio design and style, along with generating those huge, epic backends which make your heads melt.
Many thanks for listening along with the comments, telefunkin. Balancing the tension as well as subtlety was tough, I found. Listening to items more than enough to develop the vibe, but currently being much more refined than even perhaps than usual mainly because they wished subtle precisely?
Thanks Erik, sorry to hear yours did not get by male. Pretty seemingly very simple ask for, but definitely found it hard to ride that line between good dynamics and subtlety. I was constantly next-guessing elements right up to the submission. I really was not guaranteed if I might overcooked it or not, being straightforward. At the same time as I had been mastering I listened to this riff (for want of an improved musical phrase) in my head that could are already great for the strings from the stinger, I had been so tempted to return and generate it in.
The prime prospect for distortion is frequently the bass stop from the frequency spectrum so you may perhaps will need to spend more time addressing this - making certain there is no navette Sherbrooke inaudible sub frequenies etc and tweaking the attcak/ launch instances around the limiter.
Which is correct. Libraries have a variety of means of asking you for details but spreadsheet is a standard method. Its just coming into information and facts in containers so I am absolutely sure you'll find it straightforward.
Actually was not absolutely sure I might receive a forward for this one, a few components felt like they had been Using the line. Pleasantly stunned
All the more crucial point - It really is about letting your Moi so small that you will be so magnificent to operate with that publishers won't be able to wait around to work with you again. I am unable to even produce you the way repeatedly I've had composers in my rooster which were not these an awesome composing pressure in the beginning, However they were the nicest human beings possible so I labored with them to be better yet composers. Guess what, they did and they are nonetheless amazing to operate with.
If all of which is no trouble in your case then you'll be high-quality. If there's just about anything you don't understand or may possibly stumble on it would be on your benefit to operate it out the moment it is possible to.
Was it your work ethic that got you so many placements or do you feel you offered something "distinctive".
Not sure what sample library you happen to be using or Whatever you did to application them, but usually legato strings will seem a little late on incredibly rhythmic, percussive tracks and you have to bump the midi a bit ahead in the defeat to really make it audio in time.
As presently mentioned, if you're accustomed to Cubase you might likewise stick with it or you may facial area a steep Studying curve to have again to the identical stage with another DAW. Cubase 14 has numerous bells and whistles and will also get a little re-familiarisation, but not approximately starting off with a different package deal.